![]() ![]() Avid has even started implementing this with their plugins as well by simply allowing you to drop the plugins right where they need to go from one window. This cuts install down by a massive margin and doesn’t even require the old restart you’d have to do. Install: Avid has finally gone the way of DAWs such as Reason but simply allowing you to drag Pro Tools into your application folder. Your obvious major upgrade is complete use of system resources, giving you access to those powerhouse computers you’ve owned but haven’t been able to fully harness. I could keep typing more but I will get into each new feature in detail a little later. ![]() It also has been refitted with a multitude of features like a sleek new retina friendly interface, faster offline bouncing, expanded metering, low latency input buffer, the Avid Video Engine, improved workflow and visuals, and easier media search capabilities. Although Avid supplies enough plugins to get you started, Pro Tools 11 only supports the AAX 64-bit plugin format (more on this in a bit) and runs off of the new Avid Audio Engine. Most of this is fairly standard with the pack of computers out within the last couple of years so this shouldn’t be asking too much. You need at least 4 gigs of RAM, 15 gigs of hard drive space, and an iLok 2 to operate it. Pro Tools 11 is a 64-bit digital audio workstation that requires Mac OS X Mountain Lion or Windows 7 Service pack 1. So lets take this review in a different direction and focus on the new stuff and overall performance of this new iteration. I don’t need to give a review on the DAW itself because we all basically know Pro Tools… Even people who don’t record know it by name. Avid was even generous enough to give us all Pro Tools 10 as a swan song to the legacy hardware and operating system with some really nice features for the ones holding back for whatever reason (we all know why right.) It truly is a great time to own this revolutionary DAW… well for the most part. Something had to be done.Īfter countless rumors upon releases and a most likely Avid office full of people despising the question they were probably asked daily, Pro Tools is finally 64-bit! And this wouldn’t be a proper release without bringing it in with a bang. We had 4 lane highways, but we could only use 2 and traffic was starting to build quickly. Even though all of this was blossoming before our very eyes we had a dilemma… Pro Tools remained 32-bit. Now the laptop can even run an HD unit with the right equipment. Then came 64-bit operating systems and faster processors. The beginner could start using it quickly and the professional studio can handle large projects easily. For someone who was transferring from Cubase and a quick romp with a Lexicon Omega interface and Bias Deck, this digital audio workstation seemed like a leap. My journey began with the humble beginnings of Pro Tools 5.1 back when your software came with a physical keepsake in the form of a CD.
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